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Last Updated Feb/23/01

 

 Special Exhibitions Commemorating the Museum's Opening Feb/05/01

Completion Ceremony for the Museum's Construction Dec/14/00

 

 Special Exhibitions Commemorating

the Museum's Opening

 

Feb/05/01

Part 1
The Joy of Color - The Merzbacher Collection

This exhibition will be based around the collection of Werner and Gabrielle Merzbacher, world famous collectors of modern art.
The Merzbachers, living in Zurich, Switzerland, have been devoting their life to the collection of artworks since married in 1949. The works of French Fauvism, German Expressionism and Russian Constructivism, which they saw in New York in 1960's - 70's, had a great influence on the forming of their collection. It also contains French Impressionism (Monet, Renoir, Cezanne and van Gogh), Picasso's masterpieces from the Blue Period, Modigliani's Portraits and Russian Avangarde. Above all, the colorful pieces of German Expressionists such as Paul Klee and Kandinsky feature quite large in their collection.
The words of Mr. Merzbacher, "'The joy of color' is the characteristic of our collection," indeed describes the distinctiveness of the collection.

06/Oct/01 - 11/Nov/01
Part 2
Monet - Later Works: Homage to Katia Granoff (tentative name)

This exhibition will reunite many of the late works by Claude Monet which passed through the hands of the Russian emigre poetess and art dealer, Katia Granoff, who was one of the first European connoisseurs to understand and appreciate this master as he moved towards abstraction.
Though many exhibitions of Monet have been held over the years, this will the first exhibition of Monet's that focuses on his late works such as Nympheas. These works, once considered as failures or mere studies by the artist himself, were rediscovered in the 1950's through their connection with the Abstract Expressionist movement of the time.
We also will recall the passion and aesthetic and art historical judgement of Granoff. Her introduction of Monet's late works brought before the public consciousness, not the works of an artist whose eyesight was failing, but works of great poetic insight into nature and theosophical spirit.
Through the selected 35 works we will present an examination of her contribution to the re-evaluation of Monet.

18/Dec/01 - 11/Feb/02
Part 3
Aimitsu and the Members of Shinjin-ga-kai (tentative name)

Aimitsu, born in Hiroshima in 1907, is a painter famous for the fantastic expression using botanical motifs in a Surrealistic manner.
During World War II he formed the Shinjin-ga-kai ('newcomers' painting group) with Matsumoto Shunsuke, Aso Saburo and other friends. This group, formed in 1943, is indispensable to Japanese modern art history, as it insisted on the freedom of artistic expression dissociated from the war situation of the time.
Though the group held only 3 exhibitions, their friendship through the group played an important role on the career of each member. For Aimitsu it was the last chance to exhibit his works as he was called into the army. There, all the members exhibited their works with great spirit and personal integrity.
This exhibition will trace Aimitsu's career, and at the same time, how the seven members were involved in the group, showing the works of Mastumoto, Aso and other members.

23/Feb/02 - 31/Mar/02

 

 

 

1. The Opening Segment of the Completion Ceremony was held in the Grand Gallery

Completion Ceremony for the Museum's Construction Dec/14/00

On the 14th December 2000 a ceremony was held to celebrate the completion of construction works for the Iwate Museum of Art. It was attended by staff of the Prefectural Government, as well as representatives from the construction company and members of the press.
Before the completion ceremony, a cornerstone laying ceremony was also conducted to bless the safety of the site, and to honor its completion. Within a traditional cornerstone laying ceremony, items such as a name list of those involved in the construction, the architectural plan, and an engraved metal plaque are sealed within the cornerstone box, which is imbedded within the cornerstone. The cornerstone is then positioned. This ceremony was a simpler affair, based on the unveiling of the pre-positioned cornerstone. Before the unveiling, the contents of the cornerstone box, as well as the inscription on the engraved metal plaque were read out to the group assembled.
At the completion ceremony, there were ceremonial speeches and a summary of the construction's progress, as well as the presentation of an official letter of thanks from the Prefectural Government to the construction companys. After the ceremony, those assembled were treated to a sneak preview of the museum. Everyone was very impressed, particularly by the museum's scale.
We will have to wait until October 2001 for the museum's opening, as the museum staff busies themselves with preparations, including the setting up of exhibitions and the installing of various machinery and furniture.

2. The Cornerstone Ceremony and the Reading of the Cornerstone Inscription

3. The Unveiling of the Cornerstone

4. The Completion Ceremony held in the Hall, including an Account of the Progress of Construction and the Presentation of an Official Letter of Thanks to the Construction Companys

5. A Sneak preview of the Museum Held in
the Temporary Exhibition Gallery after the
Ceremony's Conclusion